This Imaginative, Web-Based mostly Slasher Is Means Higher Than It Has Any Proper To Be


Slashers have lengthy been dismissed as gratuitous B-movie fare. It’s straightforward for critics to see a knife-wielding maniac and write the entire thing off as a poorly hid fantasy of intercourse and violence. Slashers, nonetheless, have an extended historical past of tackling social anxieties which can be too taboo for different genres to the touch. Director Trevor Matthews and author Nick Gordon did precisely that of their 2014 movie, Woman Home. An excellent-time slasher with buckets of blood, Woman Home additionally knew precisely tips on how to unnerve its viewers by poking and prodding at questions of web tradition, feminine sexuality, and the rise of incels.

‘Woman Home’ is a Enjoyable, Trendy-Day Slasher

Woman Home opens with a bang, quoting Ted Bundy and his warning concerning the hyperlink between pornography and violence. With that grim warning out of the best way, Woman Home is off to the races. The movie follows Kylie, performed by Ali Cobrin, as she joins the titular Woman Home for extra cash. Woman Home is a porno web site with a singular premise—a bunch of co-eds live-streaming the every day going-on inside their sorority-style home whereas sprinkling in strip-teases and taking requests from viewers. It doesn’t take lengthy for laptop genius and perverted loon, Loverboy (Slaine), to fixate on Kylie. Loverboy’s obsession quickly gives way to one thing even darker.

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As soon as Woman Home will get into slasher territory, the movie shines. Taking the indie-sleaze backdrop of Woman Home, Matthews is ready to evoke the identical gritty, fast-paced environment native to the heyday of slasher films again within the ’70s. There are a number of half-dressed ladies operating for his or her lives, and much more blood and guts. Woman Home is devoted to getting these particular results proper, and making certain the viewers will get an eyeful. The digicam gleefully tracks flying physique elements and blood sprays. With such unbelievable particular results, it’s no shock that the kill scenes are off-the-charts enjoyable. Woman Home’s killer will get inventive, wielding sledgehammers, hammers, and axes. Every second of torture and homicide is dialed as much as 11, with each aspect of the scene tailor-made to ensure not solely the characters really feel the ache, but in addition the viewers. It is an homage to the slashers of yore, and an skilled one at that. Woman Home pulls no punches and revels in its physique horror.

The Scariest A part of ‘Woman Home’ Isn’t What You Assume

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For all that Woman Home treats its bloodthirsty audience to gore galore, it’s nonetheless not the scariest a part of the movie. That honor goes to the social commentary underpinning the horror of Woman Home. Regardless of opening with a quote from Ted Bundy, the movie by no means truly settles on a definitive ethical stance relating to porn. As a substitute, it focuses on how terrifying the entitlement in the direction of feminine our bodies is. By 2014, incels were making headlines with their actual rampages, and Woman Home riffs on these darkish information tales to encourage a chilling dread in its viewers. Woman Home‘s nerve-wracking storytelling peaks within the opening sequence by drawing on these real-life tales. The viewers nail-bites as a younger and scorned Loverboy learns tips on how to be harmful. It’s not an overconsumption of porn that triggers all of Woman Home‘s gore, it’s a weak ego and entitlement to intercourse.

Even the boys Woman Home’s script writes about in a good gentle are slightly too snug with web stalking and taking part in the a part of a peeping Tom. There is no such thing as a respiratory room for the feminine characters. At each flip, these ladies are filmed, interrogated about being part of the Woman Home, and ultimately hunted down. Whereas they appear, for essentially the most half, snug dwelling inside a sexed-up model of Huge Brother, the viewers’s hair raises at the 24/7 surveillance. Extra a commentary on web tradition than the use and consumption of pornography, this side of Woman Home is much more unnerving a decade later. The characters have zero privateness and don’t even thoughts. Watching Woman Home immediately looks like studying an already fulfilled prophecy.

Slashers are a staple of the horror style, and but it is onerous to think about one other subgenre that’s so extensively derided. Fortunately, the director and author of 2014’s Woman Home do not endure from these prejudices. Their movie is a love letter to the golden days of masked killers rampaging with a knife. In between all of the physique horror and gore, Matthews and Gordon handle to insert some actually terrifying social commentary. Watching the extravagant kills is enjoyable, but it surely’s the delicate feeling of being watched that can stick to the viewers lengthy after the credit have rolled.

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Launch Date

October 16, 2014

Runtime

100 minutes

Director

Trevor Matthews, Jon Knautz

Writers

Nick Gordon

Producers

Cory Neal


  • Cast Placeholder Image
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    James Thomas

    Gary Preston

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