True/False 2025: Seeds, River of Grass, How Deep Is Your Love | Festivals & Awards
Right here at True/False Film Festival, documentary as a type reigns supreme. Situated within the Midwestern faculty city of Columbia, Missouri, True/False at all times brings an assortment of non-fiction movies world premiering on the pageant, joined by others hailing from Sundance different status doc fests. This primary dispatch is a duplicate of that formulation, protecting three movies guided by a curiosity with man’s relationship to the character, whether or not by farming, destroying or mining. Every work, in its personal manner, is a plea for the earth, and people who like it, to be heard.
It’s inherently poetic and highly effective to see Black of us farming land they personal. In director Brittany Shyne’s hypnotically soulful movie “Seeds,” a gaggle of older, Southern Black farmers are attempting to carry onto a lifestyle that was so way back was promised by the edict of “forty acres and a mule” and now could be being slowly taken away. It’s no accident to see Shyne bookend her movie with funerals, signaling a brand new era tasked with defending its inheritance.
“Seeds” is as tangible as an autumn leaf, crisp and crunchy, the story of its life seen on its floor. Shyne, who’s additionally the movie’s cinematographer, follows Black households proudly owning cotton fields, rising corn, and elevating cattle. Their land is lush, even when their circumstances are more and more changing into dire. For many years, by systemic racism, the Black of us who didn’t migrate north way back have been shedding their farmland to banks. These Black farmers have been demanding the Division of Agriculture, throughout the Joe Biden presidency, honor their promise by supporting them with the identical subsidies obtained by white farmers. Charged telephone calls by these proud Black males, significantly Willie Head Jr, towards a spineless forms animate a wrestle that if misplaced, will result in the speedy erasure of wealth. These farmers are usually not monetarily wealthy, however the land, by advantage of being handed down, supplies a hall towards generational sustainability for future descendants.
In a movie brimming with a lot vitality, one may discover Shyne’s selection of black and white pictures to be perplexing. Her determination, nonetheless, remembers the textured scholarship of Zora Neale Hurston’s Fieldwork footage, whereby the anthropologist ventured to Black rural communities throughout the Nineteen Twenties to report Black life. Equally, Shyne surveys the farming, churchgoing and on a regular basis actions of this neighborhood. She additionally captures the teachings older farmers are attempting to impart on their youthful counterparts. Most of all, she touches the ingrained rhythms and sensorial splendor of the individuals she sees. I felt like I’ve recognized or have met some model of each one in every of these women and men, individuals who rise with the solar, dressing for work even on their time off–donning a cap, a plaid button up shirt, and a few slacks—and watch the information earlier than they start their day. Their accented pacing, their speech punctuated by an “mhm,” is a world of which means and emotions, and bonds with long-departed kin articulated with precision.
There isn’t any a part of “Seeds” that doesn’t really feel like a priceless heirloom, like a window right into a vital cultural historical past that have to be maintained or lest be completely misplaced.
The extra you watch Sasha Wortzel’s hard-biting, private environmental essay “River of Grass,” the extra you understand that Miami is man’s folly. Whereas the movie isn’t related to Kelly Reichardt’s same-titled debut characteristic, it’s referring to the identical space: The Florida Everglades. The nationwide park’s moniker derives from native Indigenous tribes, and later shaped the title of conservationist Marjory Stoneman Douglas’ 1947 non-fiction examine The Everglades: River of Grass. In that e-book, Douglas noticed the pure stability struck by the wispy fauna, the slow-moving reptiles and vivid birds, and the required geology of the realm to offer recent water by working in live performance with hurricanes. It was after one damaging hurricane, actually, that Wortzel had a dream about Douglas that may encourage her to make this movie.
Wortzel’s movie is a clarion name to guard Florida’s biggest useful resource. Wortzel, a local of the Everglades, whose elegiac narration remembers her childhood within the space, follows different teams equally hoping for motion. Just like the Everglades’ flipping tides, she switches between archival interviews with Douglas and up to date verité footage of Miccosukee educator Betty Osceola, who’s main prayer walks to flag the destruction instigated by people. Wortzel simply bends time by a decent edit that demonstrates the lengthy struggles that also continues immediately.
Although Wortzel’s movie is winking and wondrous—cinematographer J. Bennett captures the bewitching watery panorama with reverence—this isn’t a passive narrative. Wortzel additionally observes a Black mom working to attenuate the air pollution wrought by the burning of sugar canes, a mother-and-daughter who’re working to clear invasive pythons from the ecosystem, and anxious fishermen who’re discovering much less to catch. All of those anxieties, as we discover, might be traced again to the overpopulation of land not meant for a significant metropolis, which is placing a pressure on an setting at-risk of rising toxins and more and more lethal climate occasions.
Wortzel is hoping towards hope that we get up and transfer to restrike nature’s stability reasonably than persevering with to construct high-rises and airports the place there ought to be none. As a result of if the Everglades is the pot of slowly boiling water, and we and its animals are the frogs, then we’re all practically cooked.
One other aquatic-themed documentary is author/director Eleanor Mortimer’s mournful but thrilling deep-sea exploration movie “How Deep Is Your Love.” Crusing on a vessel towards the Clarion Clipperton Fracture Zone, which is positioned twelve days from any land, Mortimer trains her digital camera to biologists who’re making an attempt to find and catalogue the uncommon, never-before-seen ecosystem threatened by deep-sea mining. We see luminescent, alien-like creatures with humorous names: Barbie Pig, Prickly Pear, Marriage ceremony Gown Star, Psychedelic Elvis Worm, The King, and extra—filmed with a grandiosity befitting their unusual magnificence. The scientists aboard the ship, who monitor and discover in shifts designed for 24-hour remark, are at all times left in awe, as if they’ve found that angels are actual.
Why is that this delicate, undisturbed ecosystem beneath menace? As a result of the seabed, other than being “the final frontier of human discovery,” as Mortimer surmises, is populated by metal-rich nodules typically utilized to energy “inexperienced” power. Mortimer pinpoints our preliminary starvation for these slow-growing minerals to the HMS Challenger’s 1858 expedition and discovery of deep-sea life, which started proposing how these historical beings and objects may additional humankind. Mortimer additionally turns her gaze to the Worldwide Seabed Authority, who, of their latest session, are tasked with designing guidelines for mining the internationally designated space.
Within the lyrically attractive imagery of “How Deep Is Your Love” is gnawing pressure. Mortimer’s Mark Cousins-esque narration is distanced, but ethereal. The scientists, alternatively, are enthralled and heartbroken. For them to look at these creatures, they need to snatch them away from the seabed towards the floor, utilizing a chilly, apathetic steel claw, the place upon entry they instantly die within the unpressurized area.
How do you weigh the significance of science within the face of destroying, at occasions, a thousand-year-old organism? Mortimer is measured sufficient to not ask these biologists such a grave query. As a substitute, she observes the misplaced hope by one scientist that the now-deceased creature shall be immortal. One may sneer at such feigned optimism, however that want, when you concentrate on it, is the one glimmer of solace in “How Deep Is Your Love,” a documentary the place human inaction and industrialists’ craven lust for minerals will certainly finish a number of species together with ours. In that sense, each second of levity in Mortimer’s delicate movie, even right down to its title, may very well be thought of gallows humor.
